"Let's take it to the limit one more time."

Universal Pictures
"Let's take it to the limit one more time."

"You guys up for some reggae tonight?"

"You're just jealous, because I was an early developer."Commercial Drive—One of my favourite annual traditions of leftist satirical musical propaganda (complimentary), East Van Panto, is back for another year of shared theatrical joy. Theatre Replacement's latest holiday stage production, presented by The Cultch, returned to the York Theatre for its lucky thirteenth edition of love, laughter, and low-income housing.
"I'm very much a product of the late twentieth century."

"Video provides the means to invent a past in order to live in the present."

"I rarely get asked to do [racism] p*rn."UBC—(March 13, 2025) Talented mononymous Nigerian-American late night comedian/interviewer and Black Friend author Ziwe (Fumudoh) brought her stylishly hilarious insights to the Chan Centre for the Performing Arts as part of the 2025 Phil Lind Initiative's accidentally hyper topical ongoing speaker series on the politics of What It Means to Be "American": Navigating Identity in a Changing Nation.
"I wasn't gonna mention the whole fifty-first state thing."UBC—(February 27, 2025) Award-winning Egyptian-American stand-up comedian, actor, screenwriter, and director Ramy Youssef casually captivated a full audience inside the Chan Centre for the Performing Arts as part of the 2025 Phil Lind Initiative's second-year speaker series, discussing the topic of What It Means to Be "American": Navigating Identity in a Changing Nation.
"I was chasing a story about a bunch of Vietnamese-American rebels."Chinese-Vietnamese-American director Elizabeth Ai explores the immigrant experience through music in her fun but meaningful documentary, New Wave. All about the influence of the titular genre of music and its effects on the pop culture of the Vietnamese diaspora emerging from 1980s Southern California, the film takes an interesting approach to dissecting the unspoken collective intergenerational trauma of these children of refugees after the fall of Saigon in 1975.
"This is Lululemon Lake now!"Commercial Drive—It's that time of year again. East Van Panto, Theatre Replacement's wackiest annual holiday stage tradition presented by The Cultch, returned to the York Theatre for its twelfth edition, featuring a very merry band of animal misfits (the "Merry-Thems") in a hyper-localized, joyful musical twist on the outlaw folklore of Robin Hood.
"Capitalism is a machine for capturing descent."UBC—(January 25, 2024) Toronto-born, Brooklyn-based culture critic and The New Yorker staff writer Jia Tolentino paid a visit to the Chan Centre for the Performing Arts as part of The Phil Lind Initiative's speaker series discussing political life through pop culture. Her half-hour talk, "Who's Afraid of Eating the Rich?" dissected our cultural obsession with the trend of popular entertainment dramatizing the sad depravity of being ultra-rich (think Succession and the like).
"Human beings are so emotionally manipulative!"Commercial Drive—East Van Panto, Theatre Replacement's beloved annual holiday tradition presented by The Cultch returns to the York Theatre to celebrate its tenth anniversary by going under the sea with a reimagined contemporary retelling of the classic mer-tale, The Little Mermaid. Gone is the underwhelming and patriarchal romance about an uncomfortably attractive teen princess literally giving up her voice for some bland random dude she met once—replaced here with a very charming pop musical parody about environmentalism, climate change, and unconventional love.

"What really matters is what you like, not what you are like."

"I got a nose for white supremacy and he smells like bleach."

"I'm capitulating to everything I hate." ¹The New Yorker staff writer and culture critic Jia Tolentino, sometimes hailed as the voice of our current social media generation, has so eloquently captured the inherent lie and con behind both the internet and the greater culture's duelling perceptions or realities of millennial life. Her first book, a collection of nine varying but intrinsically linked essays called Trick Mirror: Reflections on Self-Delusion, is a thoughtful and measured retelling of her experiences covering a culture of self-deception, contemporary feminism, conflicted political identities, and modern life as a digital native.
"I'm as real as a doughnut, motherf*cker!"



"Who are you and why do you know so much about car wash protocol?"

