"It's weird how you two are dating all of a sudden."

Focus Features / Blumhouse Productions
After Bear makes his aforementioned cursed "One Wish Willow," a magical stick purchased for $6.99 from a local crystal shop, Navarrette's Nikki becomes extremely possessive of him, much to his horror. Bear quickly regrets his decision and becomes desperate to rid himself of his dreamgirl. Barker, who also edits the film, makes clear choices about how to slowly ramp up the horror escalation. Navarrette makes a star turn as both the girl-next-door archetype before morphing seemingly into the "crazy girlfriend" role that's genuinely terrifying.
Barker exploits subtle elements of loser masculinity while imbuing Johnston's Bear as a more or less good guy who's ultimately ineffectual and just plain stupid. Longtime collaborator Cooper Tomlinson, the other half of TABI, adds some much-needed relieg as the bro-y friend/co-worker and voice of reason. While the nature of non-reciprocal love and wishing against it is inherently nonconsensual, the film takes its logic and genre tropes to extreme lengths as it mocks conventional ideals of romance with some dire consequences.
Obsession confidently takes one of the more straightforward of horror setups and inverts its romantic comedy elements to expose unhinged elements of personal desire and unrequited attraction. It's an emotional roller coaster of meltdowns, tantrums, and bursts of self-harm. Barker's talent and patience for slow burn filmmaking that exploits his characters' flaws superbly.
Obsession screened at the 2026 Seattle International Film Festival as part of the WTF program.
More | Beat / Exclaim / Indiewire





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