"Hey kiddo! Feel like hoppin' in?"

A24 / American Zoetrope
Aside from Marlon Wayans weaving in and out of the film as Laura's travelling businessman husband, it's almost entirely a two-hander where Jones and Murray basically just hang out with the barest of sitcom-y premises, where she suspects infidelity on the part of Wayans' Dean. Whether he's actually cheating on Laura really is immaterial. Her vague suspicions are ultimately a metaphor for her own malaise or dissatisfaction in life as a stay-at-home mother, long-distance wife, and struggling author.
Jones (who, like Coppola, also grew up with an iconic father of her own) and Murray have a natural father/daughter chemistry with an underlying history of both fun and frustration layering their complex relationship dynamic. The loose film and love letter to New York City living is a breezy rumination on marital commitment, insecurities, and domesticity, only ever really lightly touching on the actual problems of the marriage portrayed.
Coppola's further exploration of well-worn subject matter around the loneliness and transition of ennui amongst the upper-class never feels disingenuous or even that particularly privileged (it definitely is, though). Her honest writing and generosity to her actors make the film a charming and amusing departure despite its sometimes ineffectual plot. On the Rocks feels like an in-between film in her filmography, working out familiar concepts while expressing city life in Manhattan.
On the Rocks is available to stream on Apple TV+ starting October 23rd.
More | YVArcade / AV Club / Indiewire / ScreenCrush





0 reactions:
Post a Comment